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Open a larger version of the following image in a popup: Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708), Roman Charity (Cimon and Pero), c. 1690
Open a larger version of the following image in a popup: Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708), Roman Charity (Cimon and Pero), c. 1690
Open a larger version of the following image in a popup: Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708), Roman Charity (Cimon and Pero), c. 1690
Open a larger version of the following image in a popup: Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708), Roman Charity (Cimon and Pero), c. 1690
Open a larger version of the following image in a popup: Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708), Roman Charity (Cimon and Pero), c. 1690

Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708)

Roman Charity (Cimon and Pero), c. 1690
Black and white chalk on paper
11 x 8 1/4 in
28 x 21 cm
€ 8,000.00
Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708), Roman Charity (Cimon and Pero), c. 1690
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Further images

  • (View a larger image of thumbnail 1 ) Ferdinand Kobell (Mannheim 1740 – Munich 1799), Figures by a River at the Edge of a Wood, 1777
  • (View a larger image of thumbnail 2 ) Ferdinand Kobell (Mannheim 1740 – Munich 1799), Figures by a River at the Edge of a Wood, 1777
  • (View a larger image of thumbnail 3 ) Ferdinand Kobell (Mannheim 1740 – Munich 1799), Figures by a River at the Edge of a Wood, 1777
  • (View a larger image of thumbnail 4 ) Ferdinand Kobell (Mannheim 1740 – Munich 1799), Figures by a River at the Edge of a Wood, 1777
  • (View a larger image of thumbnail 5 ) Ferdinand Kobell (Mannheim 1740 – Munich 1799), Figures by a River at the Edge of a Wood, 1777
View on a Wall

Provenance

Private collection, France
Private collection, Italy
Christie’s, Old Master Drawings, 16 April 1991, lot 179 (illustrated)
We thank the art historian François Marandet for the attribution and the writing of the notice, available on request.
We thank the art historian François Marandet for the attribution and the writing of the notice, available on request.
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