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Open a larger version of the following image in a popup: Attributed to Joseph PARROCEL (Brignoles, 1646 – Paris, 1704), Study of a Horseman Charging His Opponent, c. 1683
Open a larger version of the following image in a popup: Attributed to Joseph PARROCEL (Brignoles, 1646 – Paris, 1704), Study of a Horseman Charging His Opponent, c. 1683

Attributed to Joseph PARROCEL (Brignoles, 1646 – Paris, 1704)

Study of a Horseman Charging His Opponent, c. 1683
Black chalk on cream-white paper
7 7/8 x 11 3/8 in
20 x 29 cm
€ 6,500.00
Attributed to Joseph PARROCEL (Brignoles, 1646 – Paris, 1704), Study of a Horseman Charging His Opponent, c. 1683
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Further images

  • (View a larger image of thumbnail 1 ) Impressionist School, second half of the 19th century, Portrait of Two Young Girls
  • (View a larger image of thumbnail 2 ) Impressionist School, second half of the 19th century, Portrait of Two Young Girls
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Provenance

Collection William Bateson (Lugt 2604a on recto)
His sale, Sotheby's, 23 April 1929, Lot 150
Private Collection, Netherlands
Private Collection, France
This dynamic study, depicting a mounted horseman charging a turbaned adversary, likely relates to a Christian-Ottoman conflict—possibly the Battle of Vienna (1683). The spirited execution and subject matter suggest the...
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This dynamic study, depicting a mounted horseman charging a turbaned adversary, likely relates to a Christian-Ottoman conflict—possibly the Battle of Vienna (1683). The spirited execution and subject matter suggest the hand of Joseph Parrocel, a prominent battle painter of the late 17th century and member of the Royal Academy.


Though drawings by Parrocel are often difficult to distinguish from those by his family or followers, this sheet shares notable similarities with a securely attributed painting sold in 2015 (Lyon, Beron Pérard, 6 June 2015, lot 21). The pose of the horseman and the treatment of movement reflect the artist’s mastery in capturing the tension and immediacy of cavalry combat, a skill honed under his mentor Jacques Courtois and likely informed by earlier models such as Antonio Tempesta.



A rare and compelling addition to the limited corpus of Parrocel’s battle studies.

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