Drawings

Milanese School, 16th century

Study of a bearded man in profile to the right

Red Chalk on paper

3 1/8 x 2 3/8 in
8 x 6 cm

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Paolo di Bernardino d'Antonio called Fra PAOLINO da PISTOIA (1488-1547)

On recto: Virgin and Child with the infant St John the Baptist On verso: Virgin and Child, 1515

Black chalk heightened with white

3 1/2 x 4 3/8 in
9 x 11 cm

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Circle of Francesco PENNI (Florence 1488 - 1528 Naples)

Study for a fresco

Pen and brown ink, brown wash heightened with white on prepared paper

5 1/2 x 4 3/4 in
14 x 12 cm

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Workshop of Michelangelo, possibly Piero d'ARGENTA (Active 1497 - 1530)

Studies of Michelangelo’s Galli statue, from the front and behind back, and partial views (recto) Study after a lost drawing by Michelangelo for the Ignudo above the Eritrean Sibyl in the Sistine Chapel (verso), circa 1510-1520

Pen and brown ink on paper

7 1/2 x 5 1/8 in
19 x 13 cm

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Attributed to Vincenzo DE’ ROSSI (Fiesole 1525 - 1587 Florence)

Study after Michelangelo’s David

Pen and brown ink on paper

15 3/4 x 6 1/4 in
40 x 16 cm

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Carlo URBINO (Crema 1525 - 1585)

Draped female figure holding a branch

Pen and light brown ink on laid paper

5 1/8 x 2 3/8 in
13 x 6 cm

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Taddeo Zuccaro (Urbino 1529 - 1566 Rome) and Workshop

Seated Woman Holding a Staff, c. 1565

Pen and brown ink, brown wash heightened with white, traces of red chalk on laid paper

14 5/8 x 10 7/8 in
37 x 27.5 cm

Recto: "Tadeus Zuccarus 1559" (lower right)
Verso: "N.O 6.gl." (upper left corner), "39/91" (left edge), "Taddeo Zücchero." (lower left), "N3077" (in red ink, lower left corner)

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Attributed to Bartolomeo PASSAROTTI (Bologna 1529 - 1592)

Study of woman head

Pen and brown ink, black chalk on paper

32 x 22,5 cm

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Benedetto CALIARI (Verona 1538 - 1598 Venice)

Portrait of woman

Pen and brown ink, brown wash heightened with white on brown prepared paper

8 5/8 x 11 3/4 in
22 x 30 cm

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Roman School mid 16th Century

The Holy Family with the infant Saint John the Baptist

Pen and brown ink, brown wash, over black chalk on paper

10 5/8 x 7 1/2 in
27 x 19 cm

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Italian School, late 16th century

Head of a Man and Écorché Studies of Arms

Red chalk on laid paper

8 1/4 x 4 3/8 in
21 x 11 cm

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Attributed to Toussaint DUBREUIL (Paris 1561 - 1602)

A standing male nude after Michelangelo

Red chalk on paper

15 x 8 1/4 in
38 x 21 cm

On the backside mark written in brown ink, L.743b; monogram « DRF »
and below « 5 »

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Daniel DUMONSTIER (PARIS 1574-1646)

A presumed portrait of Charlotte de Montmorency (1594-1636), bust length

Black and red chalk, gray and brown wash, gold framing line

11 3/4 x 12 7/8 in
29.7 x 32.6 cm

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Follower of Baldassare PERUZZI (Siena 1481 - 1536 Rome)

The Assassination of the Emperor Caligula

Pen and brown ink, brown wash on paper

7 1/4 x 10 1/4 in
18.4 x 26 cm

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Bernardo STROZZI (Genoa 1581 - 1644 Venice)

The Three Fates

Pen and brown ink, gray wash heightened with white on prepared paper

7 7/8 x 9 in
20 x 23 cm

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Giovanni Francesco Barbieri, called GUERCINO (Cento 1591 - 1666 Bologna)

Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso)

Black chalk heightened with white on light blue-grey paper

18 1/8 x 13 3/4 in
46 x 35 cm

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Anthonius VAN DYCK (Antwerp 1599 - 1641 London)

A portrait study of a man, standing

Black and white chalk on bluish green paper

9 7/8 x 6 3/4 in
25 x 17 cm

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Giovanni Benedetto Castiglione, called Il Grechetto (Genoa 1609–1664 Mantua)

The raising of Lazarus

Brush drawing in red and brown oil paint, heightened with blue and white, on laid paper, laid down on canvas and mounted on paper

21 1/2 x 15 3/8 in
54.5 x 39 cm

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Nicolas Chaperon (Châteaudun 1612 - 1656 Lyon)

Faunesse et amours

Pierre noire, sanguine, lavis de sanguine et de gris

7 1/2 x 12 1/4 in
19 x 31 cm

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Mattia PRETI (Taverna 1613 - 1699 La Valetta)

Andromeda

Black and red chalk on paper

13 3/8 x 9 1/2 in
34 x 24 cm

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Giacinto BRANDI (Poli 1621 - 1691 Rome)

Finding of Moses

Pen and brown ink, brown wash, on paper

16 7/8 x 11 3/8 in
43 x 29 cm

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Studio of Carlo Maratti (or Maratta) (Camerano 1625 – Rome 1713)

Studies of a kneeling female figure, an arm, a hand, and a head in profile, c. 1700

Red chalk on paper

16 7/8 x 10 5/8 in
43 x 27 cm

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Jacques Rousseau (1630-1693)

Wooded and Rocky Landscape with Figures by a Lake

Red chalk on paper

7 1/8 x 5 1/8 in
18 x 13 cm

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Roman School, mid 17th Century

Study of bearded man

Black and red chalk, stumping, pastel heightened with white on brown-prepared paper

15 3/8 x 10 5/8 in
39 x 27 cm

Bears an inscription in pen and brown ink "Federico Barocci"

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Michel CORNEILLE, known as Michel CORNEILLE THE YOUNGER (Paris, 1642–1708)

Roman Charity (Cimon and Pero), c. 1690

Black and white chalk on paper

11 x 8 1/4 in
28 x 21 cm

Inscribed on the mount and on the verso: “Guido Reni” and “n°146”

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Cornelis DUSART (Haarlem 1660 - 1704)

The Charlatan

Pen and brown ink, brown wash on rounded sheet of paper

20 1/8 x 13 3/4 in
51 x 35 cm

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Georg Philip I Rugendas (Augsbourg 1666 - 1742)

Frederick I of Prussia, 1701

Red chalk, ink and gray wash on paper

17 3/4 x 16 1/2 in
45 x 42 cm

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Jan GOEREE (Middleburg 1670 - 1731 Amsterdam)

Interior of Amsterdam's Nieuwe Kerk

Red chalk and graphite, pen and black ink, grey wash on paper

9 7/8 x 6 3/4 in
25 x 17 cm

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Attributed to Jean Antoine WATTEAU (Valenciennes 1684 - 1721 Nogent-sur-Marne)

Study of Putti after Rubens (recto), Study of figures after Rubens (verso - contre épreuve)

Black and red chalk heightened with white (trois crayons) on recto
Black chalk and garlic juice, picked for transfer on verso

8 1/4 x 11 3/8 in
21 x 29 cm

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Giovanni Battista TIEPOLO (1696-1770)

Head of Giulio Contarini after Alessandro Vittoria

Black chalk heightened with white on blue paper

10 5/8 x 13 3/4 in
27 x 35 cm

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Giovanni Battista TIEPOLO (Venise 1696 - 1770 Madrid)

Two figures seen da sotto in su, 1760

Pen and brown ink, brown wash on paper

8 1/4 x 5 7/8 in
21 x 15 cm

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Jacques DUMONT called LE ROMAIN (Paris 1701 - 1781)

Preparations for the fireworks display held in Piazza Navona in Rome on November 30, 1729, for the birth of the Dauphin, son of Louis XV, after PANINI, 1732-1735

Pen and black ink, red chalk, gray wash, and white gouache on oiled and waxed transparent paper, partially squared.

15 3/8 x 35 in
39 x 89 cm

Signed lower left: Dumont le Rom. and inscribed on the base F Panini 1731.

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Attributed to Gabriel-Jacques de Saint-Aubin (Paris, 1724 - 1780)

Le Menuet, c. 1765 - 1770

Red chalk on paper
Verso: Black chalk and red chalk

13 3/8 x 8 1/4 in
34 x 21 cm

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Jean-Baptiste GREUZE (Tournus 1725 - 1805 Paris)

An old man breathing his last in his bed, surrounded by his loved ones

Black chalk, heightened with white, Indian ink, gray wash, watercolor, on light brown paper.

15 1/8 x 17 7/8 in
38.5 x 45.5 cm

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Pierre-Charles Le Mettay (1726-1759)

Reclining female nude with her legs out and looking up to the right

Black chalk with stumping, heightened with white, on blue paper

10 x 14 3/8 in
25.5 x 36.5 cm

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Auguste de SAINT-AUBIN (Paris 1736 - 1807)

Portrait of woman

Black chalk on paper

4 x 3 1/8 in
10,5 x 8 cm

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Ferdinand Kobell (Mannheim 1740 – Munich 1799)

Figures by a River at the Edge of a Wood, 1777

Black chalk, stump and white chalk highlights

7 1/2 x 11 in
19 x 28 cm

Signed and dated lower right: 1777

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Attributed to Jean-Robert ANGO (1759 – 1773)

Man on Horseback Abducting a Woman

Red chalk and white chalk on paper

10 1/4 x 9 7/8 in
26 x 25 cm

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Vincenzo CAMUCCINI (Rome 1771 - 1844)

The Birth of Saint John the Baptist, recto and verso

Recto, pen and brown ink over pencil with framing lines in brown ink on laid paper
Verso, pencil

6 3/4 x 6 1/4 in
17 x 16 cm

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Giuseppe BOSSI (Busto Arsizio 1777 - 1815 Milano)

Studies of seated figures

Pen and brown ink on paper

7 1/8 x 5 1/2 in
18 x 14 cm

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Attributed to Leopold Kupelwieser (Markt Piesting, 1796 – 1862 Vienna)

Bust-length portrait of a young man, 1823

Charcoal with white chalk highlights on paper

20 1/2 x 17 3/8 in
52 x 44 cm

L.K 1823

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Isidore Pils (Paris 1813 - Douarnenez 1875)

Studies of a Woman Holding a Bowl, 1852

Red chalk, heightened with touches of white chalk, on buff paper

14 1/4 x 10 3/8 in
36.3 x 26.5 cm

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Circle of Adolph von Menzel (Wroclaw 1815 - 1905 Berlin)

Head of a Bearded Man in Profile, Wearing an Officer's Jacket, c. 1890

Black chalk and white chalk on prepared blue paper

17 3/4 x 12 in
45 x 30.5 cm

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Jean-Léon GÉROME (Vesoul 1824 - 1904 Paris)

A philosopher discoursing

Pencil on paper

8 1/4 x 11 3/8 in
21 x 29 cm

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Adolphe William Bouguereau (La Rochelle 1825 - 1905)

Study of the Head of the Virgin, ca. 1873-78

Drawing, pencil and white chalk highlights on paper

11 3/8 x 9 1/4 in
29 x 23.5 cm

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Attributed to Mikhail Zichy (Zala 1827 – 1906 Saint Petersburg)

Entry of Emperor Alexander II of Russia and His Daughter, Grand Duchess Maria Alexandrovna

Graphite, watercolour and gouache on paper

14 3/8 x 16 7/8 in
36.5 x 43 cm

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Circle of Giovanni Boldini (Farrare 1842 – 1931 Paris)

Studies of Women: Cabaret Dancers, Equestrian Lady and Female Profiles, c. 1900

Ink wash and brown wash on paper

11 3/8 x 7 5/8 in
28.8 x 19.5 cm

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Edouard Bernard DEBAT-PONSAN (Toulouse 1847 - 1913 Paris)

Au coin du feu

Encre, lavis et gouache sur papier

15 3/8 x 15 3/4 in
39 x 40 cm

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Maximilien LUCE (Paris 1858 - 1941)

Workers around a table

Ink and black chalk on paper

11 x 8 1/4 in
28 x 21 cm

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Attributed to Armand Rassenfosse (Liège, 1862 – 1934)

Half-length Nude Woman Arranging Her Hair, 1906

Graphite on paper

23 7/8 x 15 3/4 in
60.5 x 40 cm

Dated lower right "1906"

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Maurice Chabas (Nantes 1862 – 1947 Versailles)

Pensive Young Woman, c. 1895 - 1905

Pencil drawing with white heightening

18 1/8 x 12 5/8 in
46 x 32 cm

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Henri LEBASQUE (Champigné 1865 - 1937 Le Cannet)

Reclining female nudes with an umbrella

Pencil, stumping and heightened with watercolor

10 5/8 x 9 1/2 in
27 x 24 cm

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Georges BARAT-LEVRAUX (Blois 1878 - 1964 Monrouge)

Young Girls Reading

Pastel on paper

15 3/8 x 12 1/4 in
39 x 31 cm

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Eduard Houbolt (Hof van Delft, 1885 – The Hague, 1954)

Iris Numerata, 1947

Pastel on paper

8 5/8 x 9 3/4 in
22 x 24.9 cm

Signed, dated and inscribed “Eduard Houbolt / fecit. ad vivum / 10. Juni. 1947 / IRIS NUMERATA” (recto), and “fig. 2. / 1/2 / Vos […] / k 4689/3” (verso).

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